After an intentionally slow Saturday – besides Beck there were no absolute must sees – we headed back to Bumbershoot Sunday for a whammy of an evening. Everything we planned to see was packed into the last five hours of the day. The only reprise, however bittersweet, was a cancellation by Kid Sister. black keys

The lawn surrounding the Starbucks Stage was packed with a diverse group of all ages from Pampers to Depends to catch Jakob Dylan. Surprisingly, the audience didn’t contain rabid women throwing their unmentionables. Much like his father, most of his set was indiscernible, with Dylan chewing on his words in mumbles. Unlike us, clearly, there were people there just for the music, many sitting and even laying in the grass.

Half way through Dylan’s set, we bailed, bound for the mainstage to see rock as pure driven snow from The Black Keys. Though, the audience was full already, as the Keys began playing, the floodgates opened and people poured into the venue like the tide. We overheard many a conversation among spectators wondering who was playing; one even vowing to make an iTunes purchase. The music cut through all distractions with laser like focus, driving people to dance involuntarily.

The last hour of our day, as we wanted to catch three performances who were all playing at the same time. First stop Stone Temple Pilots but they were late, so we left to see a recommended band called Thee Emergency. Described by a fan as “Saul Williams as a woman with soul,” our curiosity was piqued. Unfortunately, they didn’t deliver. It was also strange to see the lead vocal actively directing the band, though it was hard to see who was actually playing because so many people apparently loitering on stage. So we left.

Back at STP the crowd had gotten antsy. It was thirty minutes past the scheduled start and the roadies were still setting up. Finally, at 9:45 pm the tour bus pulled up and the audience went ape shit. The sheer volume of people in the stadium was astounding, and almost made the reception for Beck and The Black Keys look small. Seattle clearly loves STP. As the set began, we could see why. There was a good mix of easily recognizable radio hits as well as songs that were clearly for die-hard fans. These are veteran showmen; not only was Scott Weiland in constant motion, the rest of the other members of band also engaged the audience.

Though Weiland started the set in shades, hat, leather jacket, vest and scarf by night’s end he was down to his shirt. The organized mayhem of the mosh pit increased with each number and the band sprinkled their performance with just enough banter between songs. Someone once asked “What’s the Big Deal with STP? Answer, see them live.

Share/Save/Bookmark

We started the day refreshed, slept in, and took our sweet time getting to the festival. After the suck that was yesterday, we were stoked at the efficiency and consideration of the festival organizers, One Reel. Not a single detail was overlooked; right down to the free water refills and the convenient recycling bins. Also a pleasant surprise, patrons could re-enter the festival. Unfortunately, it was also a slow and arduous process; probably used to collect data. Ironic, considering the strong (get link) presence of RFID protesters.

Neko Case the perfect first course; preparing our musical pallet for what was to come. Her voice was strong and rich; the band tight. The response to her set could be likened to polite spectators at a tennis match, with people politely clapping and cheering. There were two stand-outs among the set, one a banjo country number the other, a plucky number with a surprising dose of yodeling.

The air around the Fisher Green stage buzzed with electric energy. The crowd was intent on Saul Williams, paying close attention to his words. They responded enthusiastically to his message and charismatic delivery. When Williams eluded to Seattle’s political activism the audience was appreciative. When the set was over, we bolted through the crowd like hounds on a bloody fox, determined to score an interview.

After alternately talking ourselves into and out of walking into his tent, we decided fortune rewards the bold. We tentatively pulled back the curtain to find Williams plainly waiting for us to come in. His air of self-assurance was calming and as we settled into his cramped, he told we could ask three questions. His response to questions regarding attempts to pigeon hole him was a gem.

“People will always have their preferences.” He paused briefly before adding, “and will tell you. I think we try to live our lives as poems, and try to remain open to possibilities.”

Williams had nothing but love for the results of the digital release of The Rise and Eventual Liberation of Niggy Tardust, unlike Trent Reznor his collaborative partner. In the past Reznor has expressed disappointment about free downloads versus album sales. Williams considers the free release a success.

“People get to say ‘I tried this out,’ and it’s guilt free,” he said. Another boon was that there was enough interest for the album to be released in stores, as well as an overall increase in album sales for Williams.

Our last stop of the day, Beck on the mainstage. He started the set with a classic, “Loser,” which he dedicated the city. Though a charismatic and seasoned performer, it was almost as if Beck was just going through the motions. All the ingredients were there, but the souffle didn’t rise. The energy of the set was inconsistent, starting strong before quickly descending to a down-tempo movement. It’s not that Beck’s set was bad, per se, it was just a disappointed considering the breadth of his talent and experience. Even the encore was dialed in and predictable. Regardless of our interpretation, the audience was definitely behind him, especially during the numbers from Midnight Vultures.

Come back for more festival coverage tomorrow…

Share/Save/Bookmark

Neko-Case This weekend I’ll be traveling with my partner in crime to Seattle for the sold out Bumbershoot Music & Arts Festival. Just looking at the breadth of this festival strikes fatigue in my bones. From comedy and theatrical performances, to short form films and literary arts, to music, Bumbershoot is a festival of all things art. With a history dating back to 1971, Bumbershoot is one of the largest music and arts festivals in the world.

Tanya and I are, of course, going for the music. We’ve both marked out a tentative schedule for the festival and while I have no doubt our schedules will be very similar, I also know that there will be hard compromises. The festival is very well planned out in though, with a diverse line-up of both independent bands as well as some bigger names thrown in for good measure.

The-Fall-of-TroyAn interesting mix up

The line-up on the Mainstage for Sunday includes Keysha Cole, T.I., Black Keys and Stone Temple Pilots. Talk about complete polar opposite sides of the spectrum. I must see Keysha Cole live to determine if her voice is just as grating in person as it is on the radio. T.I. tends to make songs specifically for the radio in order to lure people to the more substantive music on his LPs. The STP show conflicts with Tapes n’ Tapes, so I might have to convince Tanya to pass on STP.

Sure to Rock?

I’m thoroughly expecting Black Keys, Offspring and Paramour to put on super rockin’ sets. Fall of Troy is a fun band to watch and it looks like Bumbershoot is their last tour stop before the head back into the studio to record their next album. Ending the music segment of the festival with Death Cab For Cutie was definitely a great way to mellow it out before people head home. Here’s my tentative schedule for the weekend.

SaturdayBeck

Neko Case
Barcelona
The Fall of Troy
Estelle Beck
Saul Williams

Sunday

Keysha Cole
Black Keys
Lee "Scratch" Perry
Tapes n’ Tapes

Monday

Paramour Offspring
Flobots
Del Tha Funky Homosapien
Death Cab for Cutie

You can visit Tanya will be posting her ideal schedule sometime this week for comparison. Check in with us at Culture Critics for daily festival wrap-ups. See the official schedule Bumbershoot schedule here. We are open to suggestions for covering other sets, but remember that our time is limited.

Share/Save/Bookmark